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Welcome to Fourth Corner Productions! This production house took form in 2000 after many years of planning and conception. Our members are directors, actors, technicians, designers, writers and producers who are also part of the theatre scene in Bangalore. We believe in Two E's - To Enthuse & To Entertain. Experience and love of theatre has made its existence a fruitful truth. Keep coming back here for further announcements. If you wish to join Fourth Corner or want to subscribe to its newsletter just send a mail to pd@ivcorner.com |
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Future Plans | |
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~ The Happy Apple | |
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Offerings/Public Shows ~ Stand Up Comedy (English, Kannada, Hindi, Tamil) ~ Theatre Workshop - BroaderWay ~ Mr. Funny Man (Stand-ups and Acts in English) ~ Hasya Ranjini (Stand-ups and Acts in Kannada) ~ In your house productions (English, Kannada, Hindi) ~ Technical & Production Support (Plays & Events) |
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RangaAayama - Theatre Festival | |
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Keetale | |
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Bembidada Bhootha | |
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| Future Plans | ||
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We are
planning three productions for 2006-08... |
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| Offerings/Public Shows | ||
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The scope of comedy is not restricted to laughing its wide open and could be offered as a therapy to people in today's high speed world. The tension we have seen and the race to be the best stresses us not only physically but also emotionally. Comedy is one stress reliever which works with any target audience. Comedy is our specialty and entertainment is our middle name. Do look at the following offerings and let us know if you want us to carryout any of those for you. So please Contact Us or mail pd@ivcorner.com |
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| Stand Up Comedy | ||
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The
Storytellers who used to narrate us the stories like in most of our cases
the grand parents laid the foundation to stand ups. It's a good bet that the
first joke was a combination of schadenfreude and toilet humor. The first
inter-action was probably mimicry - them pointing at him and laughing, and
him excitedly pointing back at them and imitating their laughter. Well there
was an African pigmy tribe called Danga who performed in the Pharaoh�s court
in ancient Egypt dating back to 2000 BC. We all know the importance of
Vidooshaks in our kings and kingdoms and the Birbals and Tenali Ramans. |
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| BroaderWay | ||
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Overall Description: The "BroaderWay" Theater Workshop is intended for
individuals over 10 years of age. Any individual interested in acting;
regardless of skill level, experience or artistic goals. Each session is
specifically geared towards a discipline in theater and will give the actor
an opportunity to explore areas that they have not had a great deal of
exposure to or would like to have a greater understanding of - in a relaxed
environment. The main goal of this workshop is to help actors improve their
skills and make themselves more marketable on an amateur or professional
level. |
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| Mr. Funny Man | ||
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M C Preetham
aka MCP came in with this brilliant concept of old stand up comedy mixed
with comic acts. We put together acts and stand-ups and opened it up for the
first time in 2005. Keeping its original quality of being in your face
people including Ranga Shankara could not digest it. We were banned
from performing in Ranga Shankara after our second show! Call it freedom of
non expression! |
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P D Sathish Chandra: Who directs the show and also brings in the vernacular element. His stand-ups are more news based and which are on the stands right now. Being a big man and a big laugher he succeeds in getting smiles all over the audiences. He has rich theatre background of more than 15 years and also has acted in TV soaps and films. |
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M C Preetham: As his initials state he is an MC (Mike Compere) by profession. An engineering graduate by education his passion for the performing arts brought him closer to Mr. Funny Man. His initiation saw public performances and now Mr. Funny Man is traveling nation wide with shows from college students to corporates. |
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Iti Rawat: She is a model, artist, visual merchandiser, brand analyst gosh the list is end less. She works with Arvind Brands and has associated herself with Mr. Funny Man (ask MCP why a girl is in Mr. Funny Man!!) from the very first show. Her wit and presence in all the acts have helped us in a big way to create special costumes and garments to make it look good. |
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Prithvi Vishwanathan: MC by profession he is known for his daily breakfast show on Radio One FM 94.3 . The Bakra Prithvi pulls out every day is the highlight of this show. His rich experience of understanding and getting people to understand him verbally attracted all his audiences. A charmer by birth he has this uncanny talent of true physical humor. |
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For further information please contact us at pd@ivcorner.com |
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| Hasya Ranjini | ||
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Hasya Ranjini
(Comic Entertainment) is a group formed by professional Theatre, TV and Film
artists. From Nov. 1, 2005 till today we have performed more than 70 shows
all over India under this banner. The show has the uniqueness of lasting for
a duration ranging from minimum 60 minutes to a maximum of four hours. It
has pleasant combination of songs, skits and stand-ups to put a laugh in
every mouth watching us. Unlike other stand-ups we do not reach below
the belt and cautiously maintained to be a FAMILY ENTERTAINER. |
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| In your house productions | ||
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From the inception of Fourth Corner our expertise and USP was in taking theatre to people who love it. Most of us want to be a part of it most of us even want to be on stage. We make that possible but at the same time we do not compromise on quality. This has been
favorites with corporate circles and individuals who are interested in
plays. We will train and nurture the theatre guy in you to bring your
quality to performable standards. With the invent of new performing spaces
like Ranga Shankara, Alliance and many private spaces opening up for
performances we have a lot of scope to stage productions and also earn back
from it with help of sponsors. Our productions would give a sense of
belonging and involvement to all our participants. |
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| Technical & Production Support | ||
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Fourth Corner
saw its inception with support to other performing groups in their
production. This has been our USP and have undertaken this task with many
national and international theatre groups. We give single window solution to
any production house from ticketing to promotions. We have tie ups with
organizations to give us promotion support which has been helping many
groups in Bangalore. |
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Concept and adaptation done bye
P D Sathish Chandra
and the playwright is Ms. Ameshea Brown. Play Summary Three techies go to a hill station for their company sponsored motivational conference. Each being from a different background (Bengali, Tamilian and a Kannadiga) have their stakes on life and leading king sized life. Like normal techies they use their brain and want to save their boarding and lodging allowance by staying in a cheap accommodation. They decide to stay in an outskirts "home stay" arrangement, few kilometers from their conference venue. Fate has its say and takes them to 13, Autumn Avenue. An old British villa turned into a guest house. Owing to break virginity of the Bengali boy the other two break a deal with the in house hooker. By the time they push the Bengali guy into their room they realise she is dead. The return of the hooker and its haunting gets unbearable. What happens in the end? Will they get out of the place alive? Will they be arrested for murder? Will they fight and kill each other in the blame game? Do they loose their mind? For answers wait and watch 13. For further information please contact us at pd@ivcorner.com |
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| About The Play | ||
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Auditions Opening Shortly - Apply Here | |
| About The Author | ||
| Directors Note | ||
| Acknowledgements | ||
| About The Director | ||
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Freddie, Arthur and Murray have started their own advertising firm but
things are not going too well. As Murray talks to the important client,
Porter and Kenilworth are stripping his office of unpaid-for goods.
Kenilworth seems a strange sort of removal man, unusually acquainted with
classical music and literature. |
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Auditions opening shortly |
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| Auditions for the following characters if you find you fitting into the shoes of any character below please send in a mail with your picture and why do you want to play that character to pd@ivcorner.com we will get in touch with you when we announce the auditions. | ||
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Remember you don't have to BE that age you just have to LOOK the character!! |
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1. Mr. Charles Murray: Late
30's. Man full of energy , Business Brain and chief Partner of Murray, Maine
& Spender Ad company (MMS) 2. Mr. Freddie Maine: Late 30's, Tall, balding, scholarly man in late thirties. Partner - MMS 3. Mr. Arthur Spender: Late 30's, Stocky, Volatile, Excitable and Easily depressed. Partner - MMS 4. Miss Nancy Gray: 17-18, smart and attractive, enthusiastic. Secretary to Mr. Murray later partner - MMS 5. Mr. Kenilworth: slim, nervous - looking, Late 30's, knowledgeable. workman - furniture hiring company , later cultural advisor to Mr. Murray 6. Mr. Bassington: white haired, Late 50's, efficient, rich and customer MMS and old friend of Murray and eyeing Nancy 7. Miss Wheeler: Smartly dressed. well spoken woman in her early 30's, secretary to Mr. Murray 8. Mr. George Porter: Short, burly, late 30's, workman - furniture hiring company 9. Mr. Jasha Kornitz: Violinist, ends the play with his symphony 10 & 11. Porter and his mate - Appear twice carrying the all important painting |
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Source:
www.screenonline.org.uk |
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The Happy Apple
is set in the office of an Advertising agency, Murray, Maine & Spender (MMS)
set up by three ex employees of Dobson & Dobson Advertising Agency. The
fortunes of the company is on a steep decline. Murray - the business brain
is desperately trying to save his only customer - Bassingtons Ice-cream, who
is constantly threatening to get back to Dobsons. |
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Sihi Kahi Chandru for
discussing this script so many times that I had to get it to be staged. Rajesh Bidappa for finding and reaching the script safely back into my hands. I tried my luck everywhere but for him this would not have happened. |
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This is Sathish's Fifth production under Fourth Corner banner. He has been working with different theatre groups from India at different times. After his hibernation or disappearance for three years, the Ranga Shankara festival 2004, put him back in line with active theatre. He still is known for his theatre columns for newspapers and with special reference to Sunday reviews at Times of India. He still continues to write for newspapers on theater and related issues. To find two such articles CLICK HERE. For his other theater ventures on and after 2005 CLICK HERE. For his personal profile CLICK HERE & Artist Profile CLICK HERE |
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